ANALOG TOY CAMERA VS DIGITAL CAMERA: A VISUAL COMPARISON

I have decided that I am not going to have a film photography blog and not pretend like I don’t have a digital camera, because I do and I LOVE to use it just as much as a film camera! Just know that equipment alone does not make a good photographer. Phototgraphy is an art and the shooter is the artist. You need to have a vision, or an idea of what you want to make your image look like. It should be a thoughtful process in your mind. Part of that process is deciding which tools you are going to use and making good choices based on your vision. Just like an artist who chooses which medium to use, which brushes to paint with, and how to apply the paint to the canvas, your choices about photo equipment are directly related. Choose your camera with your end result (vision) in mind. If you want a very sharp, exact photo of what you are looking at then digital is a good choice. If you want to be more free and allow for happy accidents and interesting shifts then a toy camera would be the better choice.

Both images are SOOC (straight out of camera) with no adjustments.

TOP PHOTO: ANALOG

Shot with a toy camera using expired color film, has soft focus, and color shifts

Expect the unexpected when using toy cameras. You never know what to expect, so don’t try to guess. Half of the fun of toy cameras is being surprised by the results you get!

The film photo gives more of an emotional connection with the place. It seems more like a storybook place instead of an actual place.

BOTTOM PHOTO: DIGITAL

Shot with Canon Rebel XTi, has sharp focus, bright vivid colors, extra detail in bright and shadow areas.

You know exactly what you will get by looking at the display on the back of your camera.

You get a very accurate depiction of what you are seeing in the real world.

I am not saying that you cannot be artistic with a digital camera because you really can, but I just want to show the difference in feeling between the two images. To me the analog image just brings so much more emotion and begins to tell a story without too much effort as opposed to the digital photo which is very exact, and while beautiful and exposures are “correct” and all that jargon, on its own seems to look like just another photo of another place. Does anyone else see this?

For these reasons I try to choose my camera wisely before I go out shooting, at least if I know what I am going to be shooting! I try to imagine what I want the photos to look like and then match my vision with the camera that will get the job done. Make sense?

Know the role of your camera (what it will produce and its functionality), what you want to capture and how you want to capture it, and finally how you want the end result to look. These decisions beforehand will lead to better photos in the end and make you a happy photographer!

AKIRA 2000N BEGINNING OF SPRING

Okay, these are the last four images from my trip to the Bloedel Reserve! Spring has just begun and you can start to see all of the little blossoms on the trees and the grass getting greener and greener by the minute! Also there were a bunch of geese just hanging out below the trees on the fourth photo. I will definitely be returning to the reserve to take more photos during summer and will be taking a different camera to test out. There are so many different places to walk and see that I will have no problem finding something new to photograph.

For this shoot I used the Akira 2000N loaded with Kodak Max, ISO400, Kodacolor print film (35mm) that expired on August of 2001. I am really loving the washed out effect from the expired film on the top two images. It sort of gives them a milky appearance that is really unusual and helps to create a look of visual depth. I will admit that I had to crop the first two images because the viewfinder on this camera is whack. To see an example of the issues I had with the viewfinder on the Akira 2000N see this post. If you are interested in seeing more photos taken at the Bloedel Reserve using the Akira 2000N visit my two other posts Lurking in the Shadows and Foliage by the Pond.

AKIRA 2000N LURKING IN THE SHADOWS

I often find myself very attracted to shadows created by trees. The way that the light spots in the deep shade is just really beautiful to me. I also love when a shadow from a tree juts across the landscape and really creates interest and depth in the photo. I feel that these images really capture the spirit of the Northwest as you often find yourself enclosed in the shadows of the foliage.

For these shots I used the Akira 2000N loaded with Kodak Max, ISO400, Kodacolor print film (35mm) that expired on August of 2001. I was very delighted to see that there actually was quite a bit of detail in the shadow areas of the photos! To see a few more photos and learn more about the specs of this camera please visit my other post The Foliage by the Pond.

ASAHI PENTAX K1000 PORTRAITS OF RiOt

This is my friend Shauna RiOt. We met at art college and became fast friends even though we are total opposites. She has the coolest look of anyone I have ever met and I was so glad to be paired up with her to do this shoot.

These are the first portraits I have ever taken with slide film. It is harder, at least for me, to get the exposure just right when using slide film because the film has much less latitude when it comes to overexposing and underexposing. You either get it right on or you don’t. I made these underexposed to create a certain mood and to get really deep shadows, although they came out a little darker than I expected. I still like them. Also we were using tungsten lights in the studio and I did not compensate with a filter, which is why they have the warm yellow/orange light in them. This light also added a vintage look to the whole image which I think fits with the plaid shirt and Shauna’s traditional style tattoos. The black borders were actually from the cardboard slide frames that the lab puts on each slide. I just kept a bit of the edge on the image when I was scanning. I though the black frame really complimented the dark shadows and held the image in place. For this shoot I used my trusty Asahi Pentax k1000 because I was most comfortable with this camera and wanted to get some good shots.

ASAHI PENTAX K1000 PAINTING WITH PINK AND PURPLE LIGHT

I know, I know, I have been posting a lot of these photos lately, but I promise this is the last set. I just like the idea of having all of the matching colors together in their own post! Anyway again these were taken with the SLR Asahi Pentax K1000 using 35mm slide film to get really amazing color. The top image with the pink and purple has to be my favorite photo from the whole roll. It has so much movement and such depth, and not to mention stunning colors!